In the vast digital world, everything seems infinite. Copy a file, share an image, and suddenly there are endless copies. But blockchain creates digital scarcity, a game-changing feature that is set to redefine value. This idea comes from digital artist and writer Mark Wilson, known online as diewiththemostlikes. He sees blockchain not just as tech, but as a force that will birth new forms of wealth and culture.
From viral art to global exhibits, Wilson’s journey highlights how crypto and blockchain are blending art, money, and human attention. As the crypto market eyes massive growth, this post dives into his insights on scarcity, value, and why this shift is bigger than most realize.
Mark Wilson burst onto the scene with a viral campaign poster for comedian Eric Andre. That one piece snowballed into a full career in digital art. Today, his work hangs in top spots like Milan, Venice, New York, and even Times Square.
He’s not just an artist. Wilson has published five books through Orbis Tertius Press and Fly On the Wall Press. His digital art acts like a hook, drawing people in to explore his deeper writings. Think of it as bait on a fishing line – quick, tasty art leads to the main meal of his books.
Digital items are easy to copy, right? That’s why they feel worthless. But blockchain changes that. It adds unique properties that make digital things scarce, just like rare gold or limited-edition prints.
Wilson puts it simply: “Blockchain creates scarcity in a digital world, which will lead to different forms of value over time.” This scarcity isn’t fake. It’s coded into the blockchain, provable and unbreakable.
Imagine owning a one-of-a-kind digital artwork. No copies exist because the blockchain says so. This opens doors to new markets, from NFTs to tokenized assets.
The crypto industry sits at around $3 trillion today. But experts like Wilson predict it could hit $100 trillion. That’s a 33x jump!
“As this crypto industry goes from a $3,000,000,000,000 industry to a $100,000,000,000,000 industry, there’s a lot of wealth that’s going to get generated,” he says.
This growth will touch everything – finance, art, even everyday value. Blockchain’s scarcity fuels it, turning digital bits into real riches. Early adopters in crypto art and tokens stand to gain big as scarcity drives demand.
Forget dollars or bitcoin for a second. The real money today is attention. Wilson calls it “the currency of humanity.” Love tops the list, with hate right next door.
The internet exploded attention markets. Now, it’s a scored game. Likes, shares, views – humans crave the gamification. “You’ve now got this whole playing field of attention and it’s scored and humans love a bit of gamification. Before you know it, we’re all rabid dogs for attention.”
Blockchain ties into this. Scarce digital assets grab attention, hold it, and turn it into value. Crypto projects thrive on viral hype, but true scarcity keeps the value long-term.
Some say places like middle America lack culture. Wilson disagrees. Visit the Texas State Fair, and you’ll see pure, vibrant culture. The same happens online.
“We’re clearly having one digital art in crypto which is a culture on top of the internet which is a culture,” he notes. Crypto isn’t just tech – it’s a living culture of creators, collectors, and rebels.
This digital culture mirrors real-world fairs: loud, fun, and full of surprises. Blockchain scarcity elevates it, making digital culture collectible and valuable.
What makes art great? For Wilson, it’s rebellion. “For me great art is generally rebellion… you have to be rejecting the system to say something worthwhile.”
Today’s digital art revives this spirit. It challenges big galleries and traditional money. Crypto empowers artists to bypass gatekeepers, creating direct fan economies.
But this rebellious edge is fading, he warns. “I think that that part is being completely erased and like it needs to be celebrated and cherished really.” Blockchain can help preserve it by rewarding true innovators with scarce, ownable art.
Wilson’s digital art isn’t the end goal. It’s the starter. “The digital art almost functioned as an appetizer to get people to read my books. It was almost like casting out a fishing line with rotten meat on it and saying hey come take a snack.”
This bait-and-switch works in crypto too. Memes and quick NFTs pull people in, then deeper projects like DeFi or art collections keep them. Scarcity makes the transition smooth – own something rare, then dive deeper.
Wilson wraps it up: “This is way bigger than I ever imagined and nobody’s understanding how big this whole thing is.”
Blockchain’s digital scarcity isn’t a trend. It’s reshaping economies, art, and society. As crypto scales to $100T, expect floods of new value. Artists like Wilson lead the way, proving digital can be as precious as physical.
Investors, creators, and fans: pay attention. The scarcity revolution is here.
Blockchain creates digital scarcity, birthing value where none existed. From attention games to rebellious art, crypto culture thrives on it. Stay ahead – collect, create, and rebel in this new digital gold rush.
What do you think? Will digital scarcity change everything? Share in the comments.
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